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2006/2007 |
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Directed Air hostess,
fiction, 13’.
Directed Los Angeles Nomades, documentary, 13'.
Vidéo-maker for Robert Willson
on St-John Passion
(Workshop - Théâtre du Châtelet,
Paris).
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2004/2005 |
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Screenplays:
The Stranger, 10’
- The Preview,
12’.
Vidéo-maker for TMP (Musical Theatre of Paris).
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2002/2003 |
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Directed
Aquarium, fiction,
18' (Raindance Film Festival, London / Festival of
Nations, Austria / Le Havre Film festival, France).
Vidéo-maker for the russian season in Théâtre
du Châtelet.
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2000/2001 |
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Vidéo-maker
for Robert Wilson on Winterreise
with Jessie Norman and for the Musical Theatre of
Châtelet and the National Theater of Odéon.
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1998/1999 |
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Directed
in Los Angeles The Mechanics
of feathers, fiction, 35 mm color, 12,30',
a project supported by the French & American Fund
for Cinéma (Special mention at Raindance Film
Festival, London - City of Lights, City of Angels,
Los Angeles, special mention at Int. Short Film Fest.
Taiwan).
Vidéo-maker for Robert Wilson on Alceste
and Orphée &
Eurydice, Musical Theatre of Paris, Châtelet.
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1996/1997 |
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Directed
The Translator,
fiction, super 8 mm , 18 '.
Workshop of production with Dov. S. Simens (London
Film Institute).
Director of photography and procuction assistant on
Soul Perspectives,
documentary directed by Phoebe Greenberg, 21', Canada.
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1995 |
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Directed
with Frédéric Faure A
Carnaval party - Mindelo, Cabo-Verde, documentary,
27 ', (Be Bop Production - Planète TV).
Produced Stories of Mindelo,
radio show on France Culture.
Screenplay workshop with Duncan Thompson (Canal+,
Paris).
Free Lance Photographer.
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Filmography |
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Air hostess
Fiction, color, HDV, 2007, 13’, with Noëlie
Giraud, Laurent Salsac, Jean-Louis Berdat.
Aquarium
Fiction, color, DVcam, 2003, 18’, with Veroushka
Knoge, Mark Pearce.
The Mechanics of feathers
Fiction, color, 35 mm, 1999, 12’, with Sandrine
Dumas, Nick Corri.
The Translator
Fiction, black & white, super 8 mm, 1996, 18’,
with Jean-Louis Berdat, Karina Krawczyk.
A Carnaval party - Mindelo,
Cabo-Verde
Documentary, color, Beta SP, 1995, 26’. |
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